Day after day, year after year the corpus Leonardian enriched.
intake is it able to challenge our knowledge on the master? Sometimes.
is the case for sculpture, for example. With two terracottas, one in a church the other in private hands, sees Leonardo able to defend his beliefs outlined in Paragon. We do not know sculptor, he could be accused of bad faith even.
iconography is also, with successive versions of the Virgin of the Rocks. And they bring us to a questioning of Scripture or not.
Position intellectual and spiritual new, interesting and full of promise.
His entourage also enlarges, his studio is gaining importance, his followers also As a discovery, such as Madonna Laroque. Who is the master of this Madonna?
Each discovery also allows us to break into the myth, to establish a profile much less mysterious, more human, closer to us. Its origins, for example: a mother slave from the Middle East. The 1001 one night ;-)
A new page of writing, a new design are not necessarily events.
Separating the chaff from the chaff is not easy, it may take another discovery to evaluate the increase or decrease the previous one.
Lost, forgotten elements back to the surface to the delight of the owner first, then the scientific community, to prompt s'étriper to impose its point of view leaves to abandon all critical thinking for the rest of humanity more or less ignorant, in search of a hero, a genius. It's reassuring
a hero.
0 comments:
Post a Comment